Paul O’Neill
The Relational, Social and Durational
dérive N° 39 (Apr - Juni / 2010)
Participation is currently an all-inclusive term for art’s ability to engage with its publics as collaborators, co-producers or other active agents. Regardless of its ubiquity, the term remains contested territory in recent writing on art. This essay charts one possible reading of participation – as a flexible term for variant modes of engagement with art, through its relational, social and durational aspects. In the process, participation is considered not only as a form of co-production but
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Heft kaufen
Mai 2010