Anthony Auerbach
or The Politics of Looking
dérive N° 42 (Jän - Mär / 2011)
Amidst the multitude of distractions offered by contemporary cities, billboard-sized video screens are perhaps the most conspicuous intersections between urban environments and electronic media.[1] The spectacular intent of such screens might recommend them as metonymic images of the media-city, but they disclose neither the nature, nor the meaning of this supposed hybrid. Urban screens, video screens, like all screens, are equivocal: as much as they display, they conceal. From this double
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Januar 2011